- Year first released: 2017
- ISBN of the edition I read: 9781524714680
- Publisher of the edition I read: Random House Children’s Books
- My rating (out of 5): 3
Five high-schoolers are sent to after-school detention. The
teacher steps out of the room just long enough for one of the five kids to drop
dead. This is going to be a hard semester for the other four, all of whom are
suspects in his murder.
One of Us Is Lying has
plenty of twists to keep you hooked. Nearly every section includes – or ends
with – some sort of new tidbit, factoid, or event, begging you to dive deeper
into the mystery of who really killed Simon. It’s certainly an effective
approach, and many of the twists were quite unexpected.
In a vacuum, this would be good. When butted up against the point
of view(s) in which Lying was
written, though, it proved to be a bit more of a challenge than I’d have
preferred.
The narrative alternates between the other four kids who
were in the room when Simon died: nerdy, overachiever Bronwyn; popular baseball
player Cooper; pretty trophy-girl Addy; and troubled delinquent Nate. You’d be
hard-pressed to find a more cliché cast of high-schoolers. This isn’t
necessarily troublesome or distracting (except in the case of Addy, who is
downright annoying for at least half of the book), but McManus certainly won’t
win any awards for her characters.
What is distracting, though, is the shifting first-person
point of view. We spend a few pages in Bronwyn’s head, getting her take on the
situation, adjusting to her personality, etc., before switching over to Cooper.
After a few pages with him, realigning ourselves with his viewpoint, we then
move into… etc.
In principle, I’m not against this sort of approach in
writing. Certainly each of the four characters’ viewpoints added to the
intrigue and complexity of the mystery.
And though the book announces whose mind we’re in each time,
the shift was often abrupt enough that it took me a good page to readjust to
the new character’s mindset. Several times I had to re-read a few paragraphs
when I remembered that I was actually in someone else’s mind now.
Wait a second: Why would Nate say this?
- oh, right. He wouldn’t. Now the “I” is Addy.
When you have to work to keep track of this frequent,
abruptly-changing viewpoint, then mix it in with the constant twists of the
plot, it can be a little overwhelming.
I fear I’m making the book sound bad; I certainly don’t feel
that way. The plot was legitimately interesting. I enjoyed the amount of/the
level of twists (when I was able to keep them straight, anyway). It took me
quite awhile to catch on to the secret behind everything. (I got there a little
before McManus directly says it, but not too
much before.) And the slow-growing relationship between two of the four characters
(I might as well not say which two) was warm to read, and a nice change-up from many of the more screwed up relationships that books so often include.
If you’re going to read Lying
– which is recommendable, at least if you’re into twisty YA books – make sure
you’re ready to pay close attention. I only wish the book demanded attention for
the sake of noticing fine details, as opposed to for the sake of keeping
straight who is who.
I actually like when books switch between characters like that more than usual. I think I get bored sitting in one characters mind for a whole book. (I know you weren't saying you dislike it. I'm just informing)
ReplyDeleteYeah, it's not a bad idea. I just feel like, in this particular case, it didn't *quite* pan out as fluidly as it could have. I'd be happy to read other books that do this, though. And I'm not at all opposed to reading another book by McManus it/when the time comes.
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